Late night host writer on simpsons how to#
Late night host writer on simpsons series#
Late night host writer on simpsons tv#

Last month, the show made headlines when Morrissey hit out at the show’s creators after an episode centred on a fictional band called the Snuffs, whose frontman, Quilloughby, parodied the singer.

Late night host writer on simpsons series#

Season three was a fun year to be in the Simpsons writers’ room, and I think it shows in the work.”Īlthough praise for the series has levelled off in recent years, it continues to draw large audiences and in March was renewed for a 33rd and 34th run.

Late night host writer on simpsons how to#

we had learned how to grind out first-class Simpsons episodes with surprising regularity, we had developed a big cast of characters to work with, we hadn’t even come close to running out of storylines and the staff hadn’t been worn down by overwork yet. Swartzwelder was also asked about the show’s “golden age”: “I’ve always thought season three was our best individual season. We agreed with them that this was wrong to show to children: ‘Didn’t we just show it being wrong? And, look, here’s more wrong stuff!’” “Somehow, this extra step baffled our critics and foiled the mobs with torches. “We could show horrific things to the children at home, as long as we portrayed them being shown to the Simpsons’ children first,” he said.

Late night host writer on simpsons tv#

Talking about the show’s unusually grownup humour, for example, the violence between Itchy & Scratchy, Swartzwelder described how framing scenes through the Simpson family’s own TV gave the writers further freedom. It’s just a matter of giving them something funny to say.” But all the characters in Springfield can be funny. Swartzwelder added that “a Mr Burns episode was always fun for me. He’s not actually a dog, of course – he’s smarter than that – but if you write him as a dog, you’ll never go wrong.” Then the next moment, he’s the happiest man in the world because he’s just found a penny – maybe under one of his dead family members. One moment he’s the saddest man in the world because he’s just lost his job, dropped his sandwich or accidentally killed his family. Intriguingly, the writer also said he had imagined Homer Simpson as “a big talking dog. There’s a lesson in there somewhere.”Īsked if the writers’ room felt special at the time, the 72-year-old said the show’s writers “never got a big head about because we knew we could be replaced … in about two seconds, at any time, probably for less money”. It rained money on the Fox lot for 30 years.

“This is a very dangerous way to run a television show, leaving the artists in charge of the art, but it worked out all right in the end. “All we had to do was please ourselves,” said Swartzwelder. Swartzwelder outlined his move from advertising into TV – writing for Saturday Night Live – and on to the magazine Army Man before The Simpsons, where executives left him and his fellow writers to their own devices.